
Janice Mitchell’s exploration of the third object technique, as described in “Letters from a Kangaroo,” presents an innovative method of engaging with pre-school children in social work practice. Her approach underscores the importance of creative strategies to facilitate communication and build trust with young children, particularly those who have experienced disruption or instability in their lives. By adopting a third object—a letter-writing kangaroo named Joey—Mitchell demonstrates how such a medium can act as a bridge, fostering meaningful interactions between the social worker and the child.
Mitchell begins by addressing a gap in social work literature, noting that it often focuses more on the inhibitors of communication rather than providing practical tools for engaging young children. To address this, she turned to her own experiences and literature on early language and concept development, finding that young children often understand far more than they can express verbally. This realization became the foundation for her innovative third object technique, which she tested during a placement at a Children’s Centre in Edinburgh. This setting, catering to children from six weeks to five years old, provided her with an opportunity to observe and interact with children directly, outside of the typical adult-mediated communication often found in social work contexts.
The cornerstone of Mitchell’s approach was the introduction of Joey, a nursery-aged kangaroo who communicated with children through letters filled with illustrations and simple messages. This method drew inspiration from established social work theories and practices, such as Clare Winnicott’s emphasis on the importance of third objects in engaging children and D.W. Winnicott’s recognition of the therapeutic value of play and imagination. Joey’s letters were not just a novelty; they provided a “safe and neutral area” where children could freely express themselves without the pressure of direct questioning. The letters were tailored to the children’s developmental levels and interests, incorporating images of Joey engaging in familiar activities like painting or visiting the zoo. Each child was invited to reply to Joey’s letters, often through drawings or dictated messages, creating a reciprocal and dynamic interaction.
The responses from the children were overwhelmingly positive. Even the youngest participants, some as young as eighteen months, displayed enthusiasm and engagement with the letters. The older children, aged four and above, quickly grasped the concept of writing letters and developed a sense of connection with Joey, often referring to him as a friend and asking thoughtful questions about him. For example, one child wondered if Joey was scared of ghosts, while another speculated about Joey’s size. This imaginative engagement not only made the sessions enjoyable but also provided insights into the children’s thoughts and emotions.
For younger children or those with limited verbal skills, the letter-writing sessions offered an alternative means of expression. Some children preferred drawing or tracing around a model kangaroo, while others used the sessions to enact imaginary scenarios. Mitchell observed that these activities often led to spontaneous sharing of personal experiences or anxieties. One child, who was often ostracized by peers, spoke about his lack of friends at his previous nursery but expressed happiness in having Joey as a “special friend.” Another child, struggling with fears of “ghosties” and “bogeymans,” used the sessions to articulate her nighttime anxieties. These examples highlight how the third object technique can create a non-threatening environment where children feel safe to explore and communicate their feelings.
The technique also revealed the importance of individualized attention in a nursery setting. Staff members noted the children’s excitement and engagement with the sessions and recognized the value of providing similar one-on-one interactions in their daily routines. Mitchell herself found the experience deeply rewarding, noting that the structured yet flexible nature of the sessions made them more manageable than traditional interviews. She emphasized the need for patience and a willingness to follow the child’s lead, allowing the conversation to flow naturally rather than imposing adult expectations or questions.
Mitchell’s reflections underscore the broader implications of her work for social workers. She argues that building a trusting relationship with a young child is essential, particularly when the social worker may need to make significant decisions affecting the child’s life. The third object technique, such as the use of Joey’s letters, offers a practical and effective way to achieve this, even for social workers who may initially feel uncertain about engaging with pre-school children. By providing a structured yet child-centered approach, this method helps bridge the gap between professional expertise and the child’s unique perspective.
In conclusion, “Letters from a Kangaroo” illustrates the potential of creative and imaginative techniques in social work practice with young children. Mitchell’s use of Joey as a third object not only facilitated communication but also highlighted the rich inner lives of pre-school children and their capacity for connection and expression. Her work serves as a reminder that effective social work requires not only theoretical knowledge but also a willingness to experiment, adapt, and engage with children on their own terms. By doing so, social workers can build the trust and understanding necessary to support children through challenging times and help them navigate their worlds with greater confidence and resilience.








